Obsidian Contract
2010, vinyl text and black mirror
mirror: 69.9 x 54.6 cm; text: 24.8 x 19.1 cm
distance from text to wall: 7.5 cm
![Obsidian-Contract-3.jpg](https://images.squarespace-cdn.com/content/v1/54be63fbe4b013117e15f3ba/1423322336450-PY4DRFNRNP19EO9O3V5S/Obsidian-Contract-3.jpg)
![Carey Young, 2010, Obsidian Contract, vinyl text and black mirror. First exhibited at Paula Cooper Gallery, New York](https://images.squarespace-cdn.com/content/v1/54be63fbe4b013117e15f3ba/1423322346933-92U012H9DOT7LRK3Y7O7/Obsidian-Contract-2.jpg)
![Carey Young, 2010, Obsidian Contract, vinyl text and black mirror. First exhibited at Paula Cooper Gallery, New York](https://images.squarespace-cdn.com/content/v1/54be63fbe4b013117e15f3ba/1423322505601-SL6DS4SWCD6LFG9ZH9IB/Obsidian-Contract-1.jpg)
![Obsidian Contract_Quimper.jpg](https://images.squarespace-cdn.com/content/v1/54be63fbe4b013117e15f3ba/1635437223251-XP1I07LCF9QTVSI1HAVI/Obsidian+Contract_Quimper.jpg)
Obsidian Contract (2010) features a legal contract written backwards and reflected in a black mirror, a device which has a long tradition within witchcraft and the occult in many cultures, and which was also used by landscape painters in the Romantic era to imbue a scene with a dramatic tonality.
The contract, written to involve the viewer, proposes the exhibition space visible in the mirror as a new area of publicly-owned land, in which certain activities considered illegal in public space at different times, such as the grazing of animals or sexual activity, are made permissible.